2-Hour Dress! A Vintage Pattern Pledge Project Complete! Outfit Post

     Well, I hadn't been doing great this month with the pledge I made at

http://www.astitchingodyssey.com/2015/01/join-the-2015-vintage-sewing-pattern.html

because I've been working on projects that I had started ages ago. There is a basket of unfinished frocks that I am determined to complete as soon as I possibly can.
   It is because I had been working hard on other things that I decided to just take a wee break and get on with the pledge. I had look through my stash of sewing patterns for the one I thought would take me the least amount of time to make from start to finish. I found Marian Martin 9250 which is a pattern I have had since I was 10ish and really into the 1940's at the time. Easy. It took me longer to cut out than to sew. All together 2 hours (a break in between for afternoon tea of course).  
I had to make a seam up the back, which isn't terribly noticeable, for I had only a little less than 3 yards of the fabric I was dying to use. A fabric that I bought a few years back, when starting fashion school, for my toiles (or muslins or prototypes or whatever word you want to use for it). That was usually all I would buy cotton quilting fabric for but that subject is for yet another day. I just like using print and solid color cottons sometimes instead of just constantly plain muslin.
    So I think it turned out just fine and it's nice and it's cool for our hot summers. The sleeves are my favourite part of it even though I have no business wearing sleeves as these with my fleshy arms. 
 I gave up caring.

                The ties were made from an old crepe dress that had seen better days and I've just been using pieces of it for projects here and there because the color is just beautiful and more of a teal color than what shows in the photographs. It matches the leaves wonderfully on this fabric pattern.

 

 I didn't bother to match the patterns because I was in a hurry. Nor did I care to be honest. It's just for an every day, about-the-house frock.

The pattern was so easy and I made the neckline a lot lower for me and next time I would certainly make it a lot more heart-shaped. Yes, I tend to write notes on my pattern instruction sheets. I never use the instructions so they do indeed make good note paper.

Not sure if you can see, but I did the 1930s manicure again but with my favourite pink varnish color, Revlon Demure!

2 patterns down this month for my pledge!

This pattern was going out of my element a bit and I sometimes quiver a little at the thought of "betraying" my style. But going out of our comfort zone is good once in a while, although I did make it slightly 1930s length. Nevertheless it feels good and looks a bit good so it probably won't go forgotten in the back of the wardrobe.
    

Thelma Todd Forever...Sewing the Thelma Frock

   Thelma Todd has to be my favourite lady of acting, comedy and especially fashion, aside from Lilyan Tashman. Period. That's pretty damn high up there too, because there's no one exceeds Tashman to me or even gets close (but that's for another day). I spend a lot of time studying what Thelma wears (sorry, wore). She is constantly in my thoughts and with my husband, who is a clever lawyer and has a degree in psychology, we are working together to solve her murder (which was murder, but yet again that is for another day).
    Because we are so much alike with our height and chubby faces and weight (well, ok...8 more pounds and I'll be back to her size) and style, I like emulate her and especially in her style. That's what we do when we have fashion icons, isn't it!
   Anyhow, I'm not sure if I ever mentioned it but I always name my designs. Everyone at the fashion shows thought it was hilarious but it's just what I do. I've had the Todd dress, Thelma Todd frock and the T.T. frock and now I'm sewing my Thelma frock. Even though this one is not my design I've decided to call it so anyhow for the dotted swiss I'm using was going to be for my original Thelma frock design. This photo was my inspiration but seeing as I'm short on time lately and I'm taking the Vintage Pattern Pledge I decided to use the fabric on a pattern which is similar to this number she's got on.
    Just look at her style. She was quite the happy and unassuming type of person and it showed in her face, her stance and in her fashion. 

So here begins the top half of the frock in the narrow hemmer foot for the ties, yes..you normally would see me doing narrow hems by hand, but again, time is of the essence. I just love the colors on the white background. That is a navy, not black, so it'll go with a striking navy blue hat I have.
  Here is also your first glimpse at my Khafra (Singer treadle with sphinx decals), he is my youngest one, manufactured 1923 but he is still a brilliant worker indeed. I would be a lost soul without my treadle and handcrank, they're such capital friends!
   So, to the pattern. It is just a Simplicity pattern from 1934 and it has been one of  my go to's because of it's swiftness in construction and it has that quintessential 1930's look. I was going to leave out the ties at the front just as it is plain in Thelma's photograph but I quite like the ties too much. 
     This dress will be ideal for the summer because of the lightness of fabric and drape of the dress. I used to never use cotton fabrics except organdy, swiss, voile etc., (it had to be fancy or I wouldn't use it) but ever since I started following Rochelle at luckylucille.com I've really grown to love cottons. Especially quilting cottons. There are so many lovely prints and I mustn't forget to mention the 1930s reproduction cottons. I guess my hatred for cotton grew out of detest for all of the fabric shops in Utah only carrying quilting fabric and not a single shop for fashion designers. Joanns is a polyester haven (and I still won't touch that stuff) but Salt Lake City has really grown and there are now a couple of shops with apparel fabrics and such, so everything is ok now. I don't have to keep buying my fabric in the UK and filling my luggage full of the stuff and I  must admit, I really do like Hancock's.
  This fabric I'm using for the Thelma is 100% cotton swiss.   I think it shall be complete within the week. You'll see it soon, anyhow. 
    
    "The two most important guides to one's personality are one's appearance and one's manner of speech. Centuries of experience have shown that by mean of these one may almost without exception get at least a general idea of the sort of person that lies back of them."

                          Lillian Eichler

The Connie Bennett Hairstyle 1938!

Just fancied trying out Constance Bennett's hairdo that she pulled off so beautifully from around 1936 and was the same really, just got longer, until 1942.

   My husband says I'm a bit snooty like Connie Bennett and I've got a mouth like Carole Lombard (which means I curse almost as well as a sailor). I've been working on it though. It's tough! You can take the girl out of the army but ya can't take the army out of the girl. And as for being snooty, well, I just very much dislike fashion faux pas, bad etiquette and bad/poor speech. I also detest the majority of men these days who seem to think women might get mad at 'em for opening the door for her. Don't get me started on men and hats indoors and at the table! and then there's suits without their jackets!
  I think I might be on one of my rants again...

     Moving along! I decided, for the coiffure, not to wave my hair but just use my sponge curlers overnight. Then in the morning I just brushed and brushed and brushed until I got this result!

 There's no denying she was one of the loveliest in Hollywood though few liked her.

Not quite the same, but in the style at least!
I wanted to try something new this weekend and I always love experimenting with fashion, colors as well as hairstyles and most everything else. I think I like this "do" and will perhaps wear it again!